Yes, I have decided to reenter the world of blogging after a long and lonely dry spell. And I am reentering with a mission, or a goal in mind, which is in reality a hope and a dream. More importantly though it needs reader participation to be a success. Here is the plan. I have been working on an idea for a story (maybe a novel? we will see) in a fiction class I am taking in school. It is a fantastic class and the teacher is truly wonderful and has done a great deal to inspire me. Back to the point though. So I have been working on a story idea and writing friction fragments of this greater story for class assignments. It is an idea that I really like and I want to share with more people. Thus I have decided to share it with you! Here though is what I need you to do. Please please please comment on each fragment (I will add them slowly to the blog). The thing is though that I really want some feedback here. Do you like the characters? Do you feel like the setting, tone, mood and mystery (or not) work or don’t work for you, etc. Each piece has been written to fulfill an assignment and so I will explain what the requirements are that I am writing for before each peace. Sound like a plan?
I have been learning in my class that there is a difference between the story and what the piece is about. For instance you could write a flash fiction on a lady bug munching on aphids in a rosemary patch when what you are really trying to communicate to the reader is that the upper one percent just swallows the other ninety nine. Who knows? This is just an example and does not necessarily allude to my political views. It simply seemed like a relevant example.
This is what my story is really about. Art. I think that art can be healing in so many ways, especially the creation of art. It really doesn’t matter what form it takes – writing, painting, sculpting, print, photography, dance, music … – as long as it’s art and the inspiration comes from the soul. I know that for me writing is therapeutic, it allows me to express and feel in a very unconstricted and liberating way. I have also come to learn in my life that things beautiful can be made from hard situations or even ugly things in life. Grace exists every where and only something so strong and resilient as the human spirit can continue to seek, find and create beauty amidst or from hardship.
Piece one: The assignment here was to create a character through setting. The character being created is to not be present. It would be like walking into a strangers bedroom or office and getting a sense of that person through the things there. Its like a window into their life. Piece one is a window into one of my characters life.
I can remember that day so well….
The sheets were worn but clean and carried the delicate scent of summer and the sea. A simple wooden chair stood in the corner, a seat of woven grass. It tilted at a funny angle. I would later learn that the front right leg is just a little bit shorter than the others. A mistake made by an apprentice craftsman. A three-legged table of the same wood had been carefully placed under a window, which opened up onto a sweeping hillside of lush green grass and unruly flowers. The window was long and rectangular and guarded by deep green shutters. A single vase of liquid blue glass sat in the center of the table. Flowers with delicate orange petals delighted in the soft light streaming through the cracks of those deep green shutters. The floor was bare, red tile, save a hand-woven rug of simplistic beauty at the side of the bed. Threads of deep never ending purple, red like the earth and fresh cream wound out in perfect symmetry. It was thin in the middle from where someone had placed their feet, each morning at first light for decades. A strong door with a wrought iron handle was located at the far side of the room. The boards were hand painted blue like the sky between the edge of night and the break of day. Red birds and flowers that wore the color of the sun traced patterns through the blue, leading the eye on a maze of purposefulness pleasure.
Curious I slipped from beneath the sheets, my toes pressed into the rug that had already seen so many mornings. Carefully I inched my way towards the door. Toes curled on the tile almost afraid to touch the beauty of that place. The flowers on the table encouraged me forward towards the door. I paused on that morning; fingers perched on the handle, smooth and cool to the touch. From up close I could see the way the wood grain stood out on the door, like it had been there for countless ages and could no longer bother to hold itself together. The door swung open with the slightest of squeaks just enough to make me cringe.
I recall blinking in surprise at the scene that greeted me from the other side. So unlike the one I had just left. Paper and books were strewn over tables that line the walls, the very same tables I write at today. Piles of books stood higher than I in some places. Windows on all sides flooded the room with clean light – spilling over the books and cascading to the floor where it pooled. Vases stuffed with wildflowers crowded into the corners, some of the specimens dead and forgotten with powdery leaves flitting to the floor. Others stood with regal pride bursting forth with color and fragrance. An easel with a half finished painting dominated the center of the room. Paint splatters covered the surrounding tile, some were still wet. An ocean flowed from the canvas. Tranquil and inviting. A boat, La María, is half painted floating in space waiting to be given life. Dirty dishes had been left on the center of a table, crumbs from toast, and fruit preserves on a platter of simple unadorned pottery. A breeze soft and warm swept through the room. Ruffling papers on the tables. One dislodged itself and floated to my feet. The paper was thick and felt old in my hands. A woman was sketched in charcoal. Broad, bold strokes brought her to life, coaxing her from the page. She looked peaceful as she slept, long hair thrown carelessly across a pillow, delicate nose, strong eyebrows and soft full lips maybe the bottom a little too full. It took me a moment to realize the sleeping woman was me.
* So please remember to comment, on anything. I really want to know what you think. I am more than open to suggestions!
Beautiful to read Jessie.
The setting feels Mediterranean…?
I wanted to carry on and find out more about how she got there and what happens
I loved “the rug that had already seen so many mornings”.
The only picky comments I could make are that I thought to start off with there were 2 beds in the room, and she was observing the sheets on the other bed, so I wasn’t sure about the description. (I’m sure you meant to write ‘delicate’ not delete)
I think you could take out “were worn but clean and” and then I would presume she was talking about the sheets on her own bed.
The “scent of summer” would make me think they were clean anyway.
You write beautifully. x
Ohhh those are helpful observations. Thanks! I think I’ll make some changes.
Jess-
Thanks for sharing the beginning of your tale with us. The vivid and lush descriptions drew me in.
I actually enjoyed your use of the word delete. If on purpose, I felt it added to the mystery of someone (perhaps from our time, used to computer keyboards) awakening in the same room yet in a previous time. The word feels more techno than the rest of your adjectives and I found my mind really working on that sentence (which I liked). I read it as – The “Removed”, “wiped or blotted out”, “erased”, “long-gone”, “empty” scents of summer. It seems, though, that we later find out that summer lives on just outside the window.
So maybe spellcheck had its way with your sentence. : )
I am concerned with your use of passive verbs. I feel like for the majority of the time you pick your verbs very carefully and I really enjoy the movement of those verbs. When I read your passive sentences, (using was, is, were, are, had been etc), I’m just not as engaged as the others. Maybe you were going for a balance, but I vote for a greater percentage of active verbs.
This writing makes me feel like I’ve stepped into a beautiful painting from one of the impressionist masters.
I’m SO happy to see you writing. You have a beautiful gift. Really.
Thank you John. Interesting observation of the word “delete.” I had intended it to be “delicate,” so I will probably change it but you have given me an idea of how to possibly draw readers into a story in an untraditional way. I’m still figuring out exactly what you mean with passive and active verbs. Maybe if I read the piece again a couple of times it will become more clear to me. Thank you thank you thank you for reading and commenting. It really is helpful to hear what people think! You are awesome.
Hey Jess,
As Sue and John have already said, you have quite a way with words.
You’ve established a strong sense of place with these few paragraphs, using clear, vivid language. As John already said, you seem to have chosen verbs carefully, with the effect of bringing every object to life.
My two points of feedback are observations more than opinions, really. I love the descriptions and the detail you’ve given here; it works well to set up the story and bring us into the scene. With the amount of detail you’ve given, though, I think it will help to jump right into action after this section. Too much detail will slow down a story, but of course, too little can leave us without a mental picture. The way you left this section, I can see the next section continuing a description or jumping into action. I vote for action to give balance.
The other thing is I realized when I read the section a second time that I was confused about what was actually happening. And again, perhaps that was done intentionally and we’ll figure it out in the next section. You did, after all, mention mystery in the intro.
Reading for the first time, I really liked how the contrast in setting also seemed to contrast two characters – the narrator and the character we haven’t met yet. There was a clear distinction between the room she was in and the room of the artist. However, re-reading it, I was struck by words like “curious” and “surprised.” The contrast between the two rooms, then, isn’t created by two characters, because the narrator doesn’t seem to know where she is. If that’s the case, then the contrast must come from another element we haven’t been introduced to yet. If, in fact, the narrator doesn’t know where she is, then it seems unnecessary to point out that she remembers the day really well, because I imagine waking up in an unknown room would naturally be a memorable event.
Not sure if that makes complete sense. It’s just my initial response. You’ve certainly made me want to keep reading, though! I really enjoyed reading what you have so far and fully expect to be entertained by each successive section.
Thanks for sharing!
Christine
Hey! Those are super helpful observations. I definitely agree with the “jump to action” bit. The next piece I am going to share isn’t too action oriented because of the assignment I was trying to fulfill. But If I end up writing this as a full blown story or book I agree that it would need to have a balance between action and description. I thought that your comment about not needing to state that the day was memorable was an interesting one. I hadn’t really considered that before and yet at the same time I had felt like that comment was maybe a little bland or grade school ish. I’ll probably take it out. Thanks a bundle. I really appreciate your observations. Gave me some good things to work on.
WordPress has effectively highlighted how often I use emoticons. Holy cow!
I agree with Christine and all. I too was curious to find out why the narrator seemed to be in a place they had not been before, yet they were asleep in bed. I’m now going to read the next phase…